They always say you ought to write what you know, which is why so many films chronicle the creative process. From Sunset Boulevard to Adaptation, Hollywood’s favourite subject is itself. But great as they are, most of these films seem determined to make the audience understand the pain of the artist, the stress of putting together a production, how hard it is to make something look effortless. It’s rare to find a film that appreciates the finished product above all, and understands the spell it casts over the ordinary person sat there in the dark.
Woody Allen’s The Purple Rose of Cairo is one of those films. Set in Depression-era New Jersey, it stars Mia Farrow as Cecilia. She’s a timid woman with an abusive husband (Danny Aiello), and a stressful waitressing job which she constantly jeopardizes with her clumsiness and daydreaming. Her only comfort is the cinema, where she can lose herself in shimmering Hollywood gloss for an hour and a half.