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The Lady From Shanghai

Posted in Film, Film Noir with tags , , , , , , , , , on 5 September, 2008 by Ally

There is a story that John Lennon, upon hearing that Beatles lyrics were being analysed in University classes, wrote I Am The Walrus just to fuck with the scholars. I can’t help but wonder if Orson Welles made The Lady From Shanghai with similar motivations. The plot of this film noir is notoriously complex and deliberately disjointed, so much so that even Welles himself could not summarize it for a furious studio boss, and iconic Rita Hayworth appears with her trademark red hair cut short and bleached.

"And they all lived happily ever after... The End."

To cut a shaggy-dog story short, Michael O’Hara is an Irishman who freely admits he’s not the fastest ship in the fleet, but he is what you’d call an able-bodied sailor. He is played by Welles with a comically thick Irish brogue and rugged good-looks from particular angles. After a chance meeting with Elsa (Rita Hayworth), he is employed to run her husband’s yacht. The husband is Arthur Bannister (Everett Sloan), an “elaborate cripple” with two canes and a silly walk that would make John Cleese weep. He also happens to be the world’s greatest criminal lawyer. Continue reading